1875 corset from De Gracieuse (to match my bustle!!)

I'm so glad I finally finished this corset!! Yay!

I had such a fun little photoshoot with this. I've always wanted to do a Victorian long hair photoshoot, too, so I let my hair fly around a bit.

I used a random piece of knit fabric to cover my bookshelves for a backdrop, and had a chair and a shawl for props.

And here it is with the matching bustle!

My background dropcloth was not quite big enough to get the whole bustle in, so I took it down and did a few just in front of my books.

I made this bustle several years ago, and it was always the plan to make a corset to match. But the fabric just hung around while I waited to find the right pattern. So glad I finally did!

I know of no historical evidence showing matching corset and bustle sets from the 19th century, but I really like having a matched pair!

Here's the inner view of the bustle so you can see how the half-circle hoops are controlled by the ties.

I was too lazy to sort through too many more photos so I just pasted a bunch in, enjoy!

Sitting down in this is very comfy - the bust is low enough that I don't get that annoying "my bust is hitting my chin" feeling.

Nice for lounging, too!

Okay, onto The Details.

I made this from a pattern I enlarged from De Gracieuse magazine 1875 (links at bottom). I used my projector to enlarge the pattern:

I went through a couple of mock-ups to refine the fit:

And finally made the corset from teal green cotton twill with black cotton twill tape bone channels.

The bones are narrow German plastic, except at the lacing edge where they are 1/4" steel. This corset is very lightly boned. There were a few bones sketched into the original pattern, but it didn't seem like a complete diagram, so I just sort of made it up.

I LOVE the angled seams, both for fitting and aesthetics. You can see in the side view how I got extra curves by bending the busk (a trick I originally learned from my friend at Before The Automobile).

The Good: It's super comfy, very curvy, has a tiny waist, and I love the shape. The color is pretty and the topstitching on my boning channels came out nearly invisible. The length is great: bust is nice and low, cute short waist, and I can sit down without bust spillage.

The Bad: I like to think of this as "notes for next time" rather than fussy nitpicking.

The bust curves aren't entirely smooth. Whether this is due to my square pokey ribs or just not having enough bust tissue to fill out the bottom of the gore, I don't know. The bust gores wrinkle a bit too. Possibly cording the gores would solve both of these issues (in another version). Or, as my friend Sabrina suggested, adding some padding inside.

And the top edge is not very smooth, but a bit jagged. Trimming that edge to a smoother shape might help, but I think it's also the one bone poking up. I can see now why flossing is more than a decorative detail! It would help keep the bone in place.

Overall: I really like it. I cannot wait to start making a new dress for over it! But I also want to make another one sometime with a few changes!

Here is the website to find De Gracieuse magazine issues.

Here is the entire 1875 issue 24.

The page with image of the corset is here, and the pattern sheet is here.

Now in case those links don't stand the test of time, you can search for De Gracieuse 1875 aflevering 24; the corset illustration is on page 202 and the pattern sheet is listed as a supplement - (pagina 202/2 subbl no 24 keerzijde).

A Floral Lawn Dress for 1870

Last week I finished this very fluffy new dress!

We were having a Victorian Picnic, and I have been wanting something light and summery - with lots of ruffles of course!

My friend Laura took most of these pictures. I handed her my camera and asked if she'd be my photographress. (Thanks Laura!)

This dress was SO comfortable on a hot day. I wore it with my crinolette/hoop bustle thing and it really kept my legs free and breezy! The open sleeves were nice, too, and of course the fabric was just so fine and breathable.

The crinolette really gave me a shape I loved. I finally feel like I have enough volume for those huge 1870s dresses! My lower hoop is about 85" around and I made my skirt about 130".

The plans for this dress all started with the fabric: a light printed cotton lawn. We received it at work by mistake, and I got a great employee deal on it. It was 57" wide, and I had about 10 yards. 

The colors are a bit off in these detail shots, but you can see the pattern. Flowers and butterflies!

There was a wide border print. I wasn't super fond of the brick red color but it ended up being a nice contrast. I used up every scrap of the border for ruffles!

A little of the progress. I started with the crinolette. For the skirt I used a formula I came up with ages ago, consisting of three pieces (Front, Side Front, and Back) and drafted to measurements. Leveling it on my own body is always an exciting challenge!

For the bodice, I used the pattern based off the one I call Bodice X, the same as my wool polonaise, but with a narrow V neck. I sewed the darts as tucks for a softer look. I made a new sleeve pattern that widened into a bell below the elbow.

The skirt ruffle. I machine-hemmed all the ruffles using dark red thread to blend into the border stripe. The skirt ruffle was gathered with a bit of a frill on top.

Starting to come together! The dressform was very helpful for figuring out the trim layout and general look.

The overskirt was pretty much just a big rectangle, longer in the back, with rounded front corners, gathered to the bodice waist. For the overskirt ruffle, I stitched the gathered ruffle right sides together with the skirt, then flipped it. Same with neck and sleeve ruffles. I closed the CF with hooks and bars.

I made a few pleats along each overskirt side seam to froof it up.

I bustled the back with tapes. 3 tapes, caught in 3-4 places each. I could definitely nitpick this a bit, but it's okay.

I trimmed the neckline and sleeves with a wide embroidered net lace, cut a bit narrower at the neckline. I tea-dyed it just a bit first because it was a very stark white. I wore my green-trimmed straw hat and gold Etruscan-revival-style earrings, and carried my gold silk reticule. My hair is just my own hair, done up in a braided bun.

I love how this dress turned out a lot and it was a dream to wear!

Early 1870s Crinolette

The very full-skirted shape of the early 1870s can be difficult to achieve with petticoats alone. And even if you can get the correct volume, that means layers and layers of petticoats sticking to your legs. For a summer dress, I wanted a hoop and bustle combo - a.k.a. crinolette - that would hold my skirts out, give the correct, very large shape, and be comfortable to wear.

Here's the finished crinolette.

Here it is under a petticoat.

I used this diagram from Corsets and Crinolines as a guide.

Obviously mine didn't come out exactly like this one! I couldn't figure out how to make the bustle part connect to the hoop like in the book, so I just let it float. I also lengthened the whole thing a bit; I wanted it to be short enough not to trip on, but long enough to hold my skirt out at the bottom.

The diagram is also not perfect. There are lengths written in for a few of the bustle wires, but they didn't correspond to the size of the fabric piece when scaled up. The bustle portion's waist also did not fit with the skirt portion (between X and Z) and no pleats are indicated to make it fit. So I took this as an inspiration and just fiddled with it until it worked.

I sewed the fabric structure from plain white cotton (some of it recycled from old sheets) and made the channels from white cotton twill tape. I didn't bother with seam finishes because this was an experiment and I wasn't sure if it was going to work.

The lower part was easy - just hoops! I used wide German plastic boning. This was ideal material; the hoop was supportive but very flexible, not rigid, making it easy to sit, get in the car, and move past obstacles, and keeping the look of the dress soft. The lowest hoop is about 85" in circumference.

I rounded the ends with a scissor, overlapped them by about 1", punched two holes in each end with a very small hole punch, and sewed the ends together with strong thread. Then I slid the joins into the channels, making sure to stagger them throughout the hoop.

The bustle portion was more challenging. Getting the shape just the way I wanted was tricky. Here I used plastic-covered double-steel hoop wire, and I played around with the lengths until I liked the shape.

I cut the lengths and covered the ends with tape (yeah, I know boning caps exist, but I didn't have any handy) then sewed each end through the plastic middle part of the boning (using a big strong needle and some muscle!) and the fabric and twill tape channel, to keep it from shifting.

I tied a piece of twill tape to connect the bustle portion to the hoop to prevent it riding up and shifting.

Even after I finalized the hoop lengths, the back seemed not quite right, so I sewed a small pad (which I just happened to have sitting around leftover from a different project a couple years ago - yay for re-use!) into the back waistband. The pad is a rounded shape about 8" x 11", stuffed with fiberfill into a soft, flat shape. It was stuffed more firmly when I found it, but I took some out because it made the bustle just a bit higher than I wanted.

The crinolette came out a bit funny looking, but under a dress it really works! And it's so comfortable to have your petticoats not sticking to your legs - I felt so light and cool!

I wore this under my new floral lawn 1870s dress, which you can see here!